
The pages of the medieval biographer Ibn Khallikan (II.301) contain the following moral anecdotes related to an obscure poet named Abu Al-Hasan Ibn Bassam (?–A.D. 914), who was known by the surname Al-Bassami.
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The pages of the medieval biographer Ibn Khallikan (II.301) contain the following moral anecdotes related to an obscure poet named Abu Al-Hasan Ibn Bassam (?–A.D. 914), who was known by the surname Al-Bassami.
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What may at first consideration be an enticing course of action, may take on a much more negative hue after further scrutiny. This was the point of an anecdote related by the Roman writer Aulus Gellius in his Attic Nights (I.8). Although the story is essentially a humorous one, the idea it conveys is one that carries the utmost seriousness with regard to the fates of men and nations.
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In this video we discuss the Colt Night Cobra. Those of you who are revolver enthusiasts may enjoy it.
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One of the rules of the nineteenth-century whaling industry was that if a captured whale carcass were lost by its owner, it thereafter became the property of the first ship to recover it. After being killed, a whale had to be secured to the side of the whale ship, or towed with ropes; and it occasionally happened that the prize would become untethered from its owner, and float away upon the open ocean. In those cases, the first hand to plant a harpoon in the carcass could claim it as his own.
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In the 1998 film Fallen, one of the characters intones an ominous motto: “What goes around, really goes around.” This is a more emphatic version of the old adage, “What comes around, goes around.” In both cases the meaning is the same: he who spreads iniquity and evil, will eventually be himself visited by iniquities and evils of even greater magnitude.
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It is tempting to believe that our current social problems are uniquely modern, and that they have no analogues to conditions of previous ages. A review of the thoughtful writings of the past shows that this belief is far from the truth. Consider, for example, this comment from the Latin dialogue Antonius, which was composed by the humanist Giovanni Pontano around 1487 and first printed in 1491:
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I’ve been straining my memory for the past week in an attempt to articulate a dominant ethos of the 2010s. Does one exist? It was a decidedly elusive decade. Our initial impression was that it blended seamlessly with the first decade of the new millennium, and never really emerged with its own distinctive palette.
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In previous articles here, I’ve submitted my candidates for the best films of the 1970s, the 1980s, and the 1990s. So the laws of natural progression compel me to move forward with the next decade. Few would argue that the 70s, 80s, and 90s had their own distinctive flavor. But can the same be said for the first decade of the new millennium? I think it can.
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For a change of pace, in this video I discuss my impressions of the new blued Colt Python and the classic Smith & Wesson Model 27.
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We often underestimate the ease with which terrible disasters can accompany our efforts and enterprises. Vigilance tends to lapse with routine; and with time, even the most dangerous cargoes may begin to look benign. Any nation wishing to handle nuclear materials enters a kind of pact with the devil: in return for power and prestige, it can never forget what it is dealing with, and it can never let its guard down. Two lines from the Roman poet Lucan (Pharsalia IX.1020) expresses this idea well:
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