
The imminent release of Christopher Nolan’s film The Odyssey on July 17 has ignited a vigorous and necessary debate regarding the tension between artistic license and the importance of fidelity to a classic text. It is a question of old date. But while every generation has felt the compulsion to interpret anew the literary monuments of the past, they have often hesitated, out of respect for the antiquity of these monuments, to tamper unduly with the words and sentiments contained within them.
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